Welcome To
The Machine
Capitalist Death Machine
+ Less Death, More Machine
Feat. Anti•Alias
CAPITALIST DEATH MACHINE
Music, Machine, & the End
of the World as We Know It
Welcome to the machine…
CAPITALIST DEATH MACHINE is a post-genre, post-punk descent into the uncanny valley, where AI’s grip on art and humanity is questioned, mocked, and ultimately embraced. Written with, by, for, and in spite of AI, the project blurs the line between machine-made and human-driven creative expression.
What do you feel?
Why am I here?
What are you?
CAPITALIST DEATH MACHINE
(Part one)
Title Track “CDM”The original album is a chaotic, industrial-laced interrogation of AI’s creeping omnipresence, feeding off the fears and insecurities of creatives, on and offline alike.
With jagged beats, warped vocals, and eerily synthetic harmonies, CAPITALIST DEATH MACHINE isn’t just a sonic album—it’s a manifesto, an experiment, and a dire warning.
Key Themes:
Human vs. Machine – Can AI create true meaning, or is it just a reflection of us?
The Illusion of Control – Who’s in charge when creativity is automated? Can creativity even be automated? What is creativity?
Post-Punk, Post-Human – A world where analog distortion and digital perfection collide.
CRUNCH
LESS DEATH, MORE MACHINE
(Part two)
HeelsIf CAPITALIST DEATH MACHINE was the question, Less Death, More Machine is the trailing answer that lingers.
Building on CAPITALIST DEATH MACHINE, Less Death, More Machine directly samples, reinterprets, and reassembles its predecessor into something more human, more melodic, and far more uncomfortably catchy.
Key Differences:
From Dystopic to Deceptive – The machine is learning. It’s mimicking. It’s convincing. Where is the line between man and machine?
Self-Referential & Cyclical – Tracks are stitched together from the first album, re-formed into something eerily familiar yet completely new.
Pop, piano, and Deconstruction – Dark pop sensibilities embed messages deep into your brain. Includes a stripped-down piano rendition of Kiss the Concrete that forces a reexamination of its meaning and humanity.
The Visuals:
The album art is inherently a meta-reference, showing a hooded figure watching the art of CAPITALIST DEATH MACHINE on a CRT TV—a recursive loop of commentary on AI, media, and technological nostalgia.
Surreal, distorted, dreamlike visuals evoke both futuristic AI and decaying analog media, crafting a world that is as unsettling as it is hypnotic.
ANTI ALIAS
BEYOND The MACHINE
Anti Alias isn’t a singular project—Anti Alias is a creative identity, an evolving experiment in music, storytelling, and multimedia. While CAPITALIST DEATH MACHINE is a cornerstone of this exploration, it’s only one part of a much larger world.
Under the Anti Alias umbrella, projects range from AI-critical experiments to deeply personal, human-first songwriting, covering a vast creative spectrum.
Some Projects
CAPITALIST DEATH MACHINE – A post-punk interrogation of AI’s role in art, creativity, and control.
Radio Static – A late 2000s-inspired experimental pop-punk project, using AI as a production tool to realize manual songwriting while maintaining a raw, DIY spirit.
Loveless Games – A candy pop meets R&B exploration of current events, using pop as a vehicle to navigate a heavy and chaotic world
Anti Alias (the artist) –
A stripped-down, acoustic singer-songwriter approach, rooted in storytelling and emotional depth.
Multimedia & Visuals –
From engaging custom graphics to immersive multimedia performances, Anti Alias extends beyond just music to explore how sound, imagery, and narrative are inextricably linked.
The latest from Anti Alias →
CONNECTED TO SYMBIOSIS
The ideas behind CAPITALIST DEATH MACHINE are deeply intertwined with the Symbiosis project—a broader investigation into AI, creativity, and the tension between digital and print media.
Learn more about Symbiosis →