ANTI ALIAS
Music, Machine, & the End
of the World as We Know It
ANTI ALIAS
CAPITALIST DEATH MACHINE is a post-genre, post-punk descent into the uncanny valley, where AI’s grip on art and humanity is questioned, mocked, and ultimately embraced. Written with, by, for, and in spite of AI, the project blurs the line between machine-made and human-driven creative expression.
ANTI ALIAS
BEYOND The MACHINE
Anti Alias isn’t a singular project—Anti Alias is a creative identity, an evolving experiment in music, storytelling, and multimedia. While CAPITALIST DEATH MACHINE is a cornerstone of this exploration, it’s only one part of a much larger world.
Under the Anti Alias umbrella, projects range from AI-critical experiments to deeply personal, human-first songwriting, covering a vast creative spectrum.
Some Projects
CAPITALIST DEATH MACHINE – A post-punk interrogation of AI’s role in art, creativity, and control.
Radio Static – A late 2000s-inspired experimental pop-punk project, using AI as a production tool to realize manual songwriting while maintaining a raw, DIY spirit.
Loveless Games – A candy pop meets R&B exploration of current events, using pop as a vehicle to navigate a heavy and chaotic world
Anti Alias (the artist) –
A stripped-down, acoustic singer-songwriter approach, rooted in storytelling and emotional depth.
Multimedia & Visuals –
From engaging custom graphics to immersive multimedia performances, Anti Alias extends beyond just music to explore how sound, imagery, and narrative are inextricably linked.
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